Need For Speed advertisement released in March 2014
got through the first half hour of #NeedForSpeed….and then had to turn it off once the inevitable accident happened; the one killing younger, inexperienced buddy pits the villain versus the hero in the storyline. The event in question (which was big enough to rival a small asteroid hitting the surface of the Earth and bouncing back up into space) somehow left neither forensic nor any other kind of evidence and, of course, no witnesses despite there being a string of legendary secondary car accidents in the wake of the centre-stage farce.
I have a theory — call it amateur speculation if you’d like — about why this summer’s #movie season was the worst on record. It had nothing to do with anything else going on in the world or in the #Hollywood universe. Nor was it World Cup Soccer causing some kind of movie-fan-wallet-eating distraction. It was simply that the big movie studios turned out total garbage this year…garbage like Need for Speed. Spare yourself the bandwidth (to say nothing of actually visiting any of the B-list theatres still playing it); the only thing you’ll gain watching this is a desire for that time (and/or any money) back.
oly Messiah, indeed! There aren’t many articles in the Entertainment category on my blog, but I’m a fan of classical music and found this unique presentation of “Messiah” by George Frederic Handel hiding in the YouTube database. It’s a stunning revisitation of a masterpiece by one of the world’s greatest composers.
Handel’s “Messiah” (Staged Version), September 30, 2013 at Theater An Der Wien, Vienna, Austria
An excerpt of some of the more well-phrased reviews:
One user had commented that this treatment detracted from Handel’s work on (what seemed) quasi-religious grounds; that it “cheapen[ed] this fine work of sacred art.” In response, a fellow enthusiastic fan of classical music wrote:
If I may politely respond. As one who believes every word, given the source, I still applaud the message and the central theme and characters. The music is outstanding, and while I don’t see them, the orchestra is truly outstanding in its voice. If I were to see this as a Sacred Oratorio instead of a writer’s interpretation I could and likely would join you — as I did at first listening and watching. Once I realized the literary license employed, the central characters and theme and the outstanding performance, I cheered the members of the choir, soloists and the fine stagecraft — and the outstanding orchestra. Please accept my comment with no negatives intended, and I can agree (and do agree) with you if this were meant as the original work. The only part that “bothered” me was the failure of people to stand for the Chorus, *Hallelujah,” (Chorus, at #41 in the work), as the custom! I have sung this as part of a choir and as a member of the choir — as choral literature it is outstanding and it is a favourite. May I politely ask: were/are you viewing/hearing this work as the original scriptural work or as an interpretation of a funeral and the feelings thereof? If the second, I can see from whence you come! Know that many agree with you – but would your feelings be different if you saw this as a literary work of art instead of a “Sacred Oratorio”? I dare say while the music is scriptural to the letter, the message is solely and totally different, and refreshing. I do speak from a USA point of view, so maybe I am one who “does not understand” this. Thank you for allowing me a fairly long explanation. I mean to support you, and at the same time cheer the work.
Among those few offering reservations about the performance:
f ALL of Handel’s Oratorios, I think the Messiah is the MOST DIFFICULT to dramatize.
Successful or not, this is a valiant attempt, and should not be thus discouraged.
r perhaps “The Pork Strikes Back” would be a better title. But whatever you call it, what self-(dis)respecting parody to Star Wars could you have without a sequel even more hilarious than the one before it? In that spirit, here’s hoping the following brings a bit of Christmas cheer thanks to folks at Rovio:
n celebration of the Christmas shopping season, might I share with you fine folks something I found especially entertaining this year under the heading of “game software” for the Android, iPhone and PC (which still seems to have some of the gaming audience despite devices taking over everything last year): Angry Birds.
Reminds one of the forthcoming epic movies finishing off the 9-movie Star Wars saga, now projected to open in last 2015. But next year promises to be another blockbuster for the Star Wars franchise leading up to this next watershed event (simply titled “Episode VII” at the moment. Stay tuned for more info about all that and more here!
"Goth Kids 3: Dawn of the Posers" was set to air October 16, 2013. South Park episodes are usually produced in only six days and delivered to Comedy Central just hours before airing. However, on October 15, 2013, South Park Studios suffered a power outage, causing the staff’s computers to go down during post-production and leaving the episode incomplete, missing its deadline for the first time in 17 seasons. Series co-creator Trey Parker wrote that "it sucks to miss an air date but after all these years of tempting fate by delivering the show last minute, I guess it was bound to happen." A rerun of the fifth season episode "Scott Tenorman Must Die" was shown in its place, with live tweets accompanying the broadcast.
— quoted from South Park production blog; extra night-vision images of
production studio, taken the night of the outage included.
I guess the producers of South Park have never heard of backup power (a.k.a. “UPS”)?
God bless Dilbert!
n May 7th, I published an article asking for your support with a petition to resurrect the Stargate Universe television series. Support has been escalating, but too gradually. As of tonight, the series will not get the 100,000 signatures necessary before production deadlines necessary for next season (the goal will not be achieved until March 12, 2014).
So get your signatures in ASAP!!!